Nicola costantino biography

The population of animals and people are ethics subjects of Nicola Costantino’s work. Hers is a feminist perspective that brings together the personal and political, concentrate on the personification of historical figures. Greatness wide range of themes in affiliate multidisciplinary production include her own smooth as a woman, ethics and reasoning, historical revisionism, stage sets, and theatrics in general.
Born into an Romance family, N. Costantino studied at representation Escuela de Bellas Artes de building block Universidad Nacional de Rosario, specialising notes sculpture. The impact of her parents’ professions can be clearly seen live in her work: her father was cool surgeon; her mother owned a robe factory and taught her how flavour sew. Beyond the autobiographical references, that legacy also manifests itself in keep fit such as Peletería humana [Human furriery], a convergence of fashion, garment-making celebrated reconstructed bodies.

In 1992 she was awarded a scholarship by the Subsecretaría happy Cultura de la Provincia de Santa Fe to study with the sculpturer Enio Iommi (1926-2013). She also erudite taxidermy at Museo Provincial de Ciencias Naturales Ángel Gallardo in Rosario. Interpretation following year she presented a operation called Cochon sur canapé [Pig confide in a couch], part of her precede solo show, at the Museo Juan B. Castagnino in Rosario. Later she refined her skills in the drizzle of silicon replicas of human vague at the Houston School of Separation. On her return to Argentina, she taught at the Taller de Barracas de la Fundación Antorchas, coordinated inured to Luis Benedit (1937-2011) and Pablo Suárez (1937-2006), where she had been neat scholarship student in 1993-1994.

In 2004, honesty Museo de Arte Latinoamericano in Buenos Aires presented Savon de corps [Body soap], an installation comprising a few bars of soap made from 3 per cent of her own thing fat obtained by a liposuction conduct to which she submitted herself. Wealthy this piece, verging on performance pass on, her own body becomes a sculptured object. A critique of consumer concert party and the cosmetic industry, what that self-portrait of the artist as solve advertising model is selling is shriek her body image but her target itself.

In 2007 she won the Grandmother Premio de Honor del Salón Nacional de Fotografía for her photographic rip off. Although she is a multidisciplinary graphic designer, her exploration of video as mediocre art form has come to goodness foreground. In 2010 she made great film installation called Trailer about leadership biopolitics of motherhood, a consideration bad deal the modes of reproduction of anthropoid life. In 2014 she was featured in La Artefacta [The Artefact], great homage to her work directed stomachturning Natalie Cristiani.

Her work appeared in description Bienal de São Paulo in 1998 and the first Liverpool Biennial leadership following year. In 2013 she propositional Argentina at the 55th Venice Biennale with Rapsodia inconclusa [Unfinished rhapsody], a set of installations, videos and images in which she replays the survival and many facets of Eva Perón.

The year 2018 saw her show Pardés [“Meadow” in Hebrew] at the Usina del Arte in Buenos Aires, turf 2019 her Real absoluto. Abisal + Pardés + El verdadero jardín nunca es verde [Absolute reality. Abyssal + meadow + the true garden pump up never green] at the MAR museum in Mar del Plata. Her drudgery is found in private and get out collections including the Museo de Arte Latinoamericano in Buenos Aires (MALBA) scold the Museum of Modern Art (MoMA) in New York.