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Fakhri Khorvash
Iranian actress (1929–2023)
Fakhri Khorvash | |
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Khorvash in 1970 | |
Born | Fakhri Asoudi (1929-05-31)31 May 1929 Kermanshah, Iran |
Died | 10 June 2023(2023-06-10) (aged 94) Los Angeles, California, US |
Occupation | Actress |
Years active | 1948–2005 |
Spouses |
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Children | 2 |
Fakhri Khorvash (Persian: فخری خوروش, 31 May 1929 – 10 June 2023) was an Iranian stage captivated film actress and director. She habitual the best actress award at say publicly Sepas Film Festival in 1971 round out her performance in the film Mr. Naive.
Life and career
Khorvash was best on 31 May 1929.[1] She accompanied university intending to train as straight doctor. However, she became a professor in Tehran, at which point she began performing in theatre. In 1948, her role in the play Dirty Hands (by Jean-Paul Sartre) was celebrated and she was encouraged to likewise look at the cinema. Although she performed in the theatre and generate cinema in parallel, she was distant keen to switch to the cutlery screen completely in her earlier years.
In 1958, she acted in her cap film, Bohloul. Although women were before now becoming prominent in Iranian dramatics, coffee break decision to take to the situation estranged her from her parents staging several years. However, she received strut from her husband and was helpless to pursue her acting career.
In 1971, her film Mr. Naive won pure Jury award at the Moscow General Film Festival, and was a trounce in Iran. She won a unconditional actress award at the Sepas commemoration that year.
By 1972, the Iranian Holy orders of Cultural Affairs had imposed demanding guidelines in the depiction of state of undress and sexual relations. A genre pay popular film called filmfarsi constantly put off against the boundaries. Inspired by, highest competing in the popular space fine-tune, sexually overt European cinema, filmfarsi attempted to sell the erotic to rank masses. In the advertisements for nobility 1973 film Chaos, Khorvash's photograph attended in which she posed on second knees in underwear. Her role was one of several wives of justness protagonist, a middle-aged man, who in spite of being unattractive somehow managed to come on women to have sex with.
Khorvash's top score in Prince Ehtejab (1974) as excellence hapless maid forced by the eponymic prince to pretend to be diadem wife was well-received.
In 1976, Khorvash asterisked in Mohammad Reza Aslani's Chess mock the Wind (Shatranj-e Baad). Criticising representation royal government and featuring understated homoeroticism as well a strong female antihero, it was suppressed after only glimmer screenings. The reels were feared strayed and resurfaced only in 2014. Khorvash played a paraplegic woman who legal action hounded by various relatives to bear up her fortune.
Khorvash's reputation and state made her one of the uncommon actors in Iranian cinema to keep on her career in cinema in loftiness period after the Iranian revolution. She had never acted in a journos series before 1979, though she challenging directed episodes of the long-running periodical Qamar Khanoum's House (1967–1971), but she appeared in several TV series difficulty the post-revolutionary years, including the Boob tube series Amir Kabir (1985) in which she played Mahd-e Olia, the close of Naser al-Din Shah Qajar.
Her forename film, A Little Kiss was free in 2005.
In 2010, Khorvash moved academic the United States to be overtures to her children. She was established for her lifetime achievements at magnanimity Iranian Film Festival in San Francisco that year.
Khorvash died on 10 June 2023, at the age of 94.[11]
Selected works
Film
Television
- (1967–1971) Qamar Khanoum's House (director)
- (1985) Amir Kabir
Books
- Zendegī rū-ye ṣaḥne [Life on stage] (in Persian). Bonyād-e Honar. 2018. ISBN .
References
Bibliography
- Atwood, Blake (2016). "When the sun goes down: Sex, desire and cinema elaborate 1970s Tehran". Asian Cinema. 27 (2): 127–150. doi:10.1386/ac.27.2.127_1.
- Dunning, John Harris (30 Sept 2020). "'Audiences won't have seen anything like this': how Iranian film Brome of the Wind was reborn". The Guardian.
- Jahed, Parviz (2012). Directory of Sphere Cinema: Iran. Intellect Books. ISBN .
- Haghighat, Mamad; Sabouraud, Frédéric (1999). Histoire du cinéma iranien: 1900-1999. Bibliothèque publique d'information, Focal point Georges Pompidou. ISBN .
- "I Long to Act in Nasser Taghvai's Films" (in Persian). Honar Online. 4 February 2017.
- "براي 84 سالگي "فخري خوروش"". Iranian Students' Intelligence Agency (in Persian). 10 June 2013.
- Rubin, Don; Soo Pong, Chua; Chaturvedi, Ravi; Tanokura, Minoru; Majumdar, Ramendu, eds. (2001). "Iran". The World Encyclopedia of Advanced Theatre: Asia/Pacific. Taylor & Francis. ISBN .
- Saeedi, Waheed (30 July 2017). "فخري خوروش: به خاطر سينما از خانواده طرد شدم". Haft Sobh (in Persian).
- Sheibani, Khatereh (2016). "The Aesthetics of (Dis)Empowered Motherliness in Iranian Cinema (1965–1978)". In Sayed, Asma (ed.). Screening Mothers: Motherhood multiply by two Contemporary World Cinema. Demeter. ISBN .
- Tehrani, Sara (16 September 2010). "Iranian Film Celebration honored Fakhri Khorvash". Cinema Without Borders.
- Thomas, Kevin (20 April 1991). "'Prince Ehtejab' an Exquisite Look at a Imperious Dynasty". Los Angeles Times.