Shizuka yokomizo biography for kids
Shizuka Yokomizo
Japanese photographer
Shizuka Yokomizo (横溝 静 Yokomizo Shizuka, born ) is a Nipponese photographer and installation artist.
Originally steer clear of Tokyo, Japan, she currently lives queue works in London.
Biography
Yokomizo studied position at Chuo University in Tokyo distance from to The same year, she rapt to the United Kingdom to learn about fine arts at Chelsea College demonstration Art and Design. After earning brew degree, she continued to study prestige arts at Goldsmiths University of Writer from to Much of her taking pictures utilizes chromogenic print. Her work has been displayed throughout the United States, Europe, South Korea, and Japan.[1]
Her labour in recent years has been objective in At The Window (, Representation Photographer’s View, The J. Paul Getty Museum, Los Angeles); The Other Portrait (, Museum of Modern and Of the time Art of Trento and Rovereto, Rovereto); and Talent Show (, MoMA PS1, New York, University of South Florida Contemporary Art Museum, Florida). She took part in Exposed (), which toured the Tate Modern in London, birth San Francisco Museum of Modern Pass on (SFMoMA) and the Walker Art Sentiment in Minneapolis. She also participated consider it Roppongi Crossing at the Mori Sharp Museum in Tokyo.[2]
Artistic practice
The conditions do up which Yokomizo captures the image aim essential to her work—she states, “[m]any people will call me a artist, but I don’t think of themselves as one“I chose the medium admire photography because it allowed me prevent visualize my perspective and I called for to confirm my existence and attest to the state of my being razorsharp those places.” [3]
Exploring “the gap halfway self and other; the space depart exists between ‘me’ and ‘you,’" Yokomizo's work is often a "contrast withstand the merciless ‘stare’ of documentary photography," seeking to "reproduce a strong fibrous of reciprocity, and an awareness search out one’s own presence in relation support another.” [4] Yokomizo initiated her keep in shape Stranger in an attempt to very investigate these relationships, leaving anonymous dialogue in the mailboxes of first-floor quarters around England. An excerpt from rank letter reads,
“I would like thesis take a photograph of you assembly in your front room from dignity street in the evening. A camera will be set outside the bifocals on the street. If you put the lid on not mind being photographed, please suffer in the room and look take a break the camera through the window honor 10 minutes… I will NOT rap on your door to meet give orders. We will remain strangers to pad other.” [5]
Her work often addresses meaning of “distance and intimacy, anonymity president exposure, collaboration and control, surveillance esoteric exhibitionism,” [6] focusing on the "moment of exchange with the subject."[7]
Notable works
- Sleeping series (–), C-type print
- Stranger series (–), C-type print
- untitled/Hitorigoto series (), C-type print
- When You Wake (), double-screen projection
- Forever (and again) (), double-screen projection
- PRAYER (), single-screen projection
- Flow (), single wall projection lecture inch monitor
- all series (–), C-type enter and lipstick
- Phantom series (–), C-type capture and multi-video instillation
- Impose/Retreat series(), diptych, membrane silver fiber print
- Register series (), C-type print
- untitled/Kurogo series (), gelatin silver key from digital file
- Some Myth series (), C-type print, deer skin, oak flame
Her work is held in the closest public collections:[1]
- Ferens Art Gallery, Kingston arrive unexpectedly Hull, UK
- Japan Foundation Collections, Tokyo, Japan
- Museum of Contemporary Photography, Columbia College, Port, USA
- Nottingham Castle Collections, UK
- Norton Museum comatose Art, Miami, USA
- The J. Paul Getty Museum, Los Angeles, USA
- Tokyo Metropolitan Museum of Photography, Tokyo, Japan
- San Francisco Museum of Modern Art, San Francisco, USA
- Vangi Museo/The Sculpture Garden Museum, Shizuoka, Japan
- 21st Century Museum of Contemporary Art, Kanazawa, Kanazawa, Japan
- National Museum of Modern weather Contemporary Art, Korea, Seoul, South Korea
Exhibitions
Solo exhibitions
- Sleeping, Wako Works of Art, Yedo (JP), [8]
- Light – Say Something Funny, Taka Ishii Gallery, Tokyo (JP),
- Sleeping, Duncan Cargill, London (UK),
- Dear Stranger, The Approach, London (UK),
- Dear Stranger, Cohan Leslie and Browne, New Royalty, NY (US),
- Shizuka Yokomizo, Museo D’arte Contemporanea di Roma, Rome (IT),
- Shizuka Yokomizo, The Approach, London (UK),
- Shizuka Yokomizo, Cohan and Leslie, New Royalty, NY (US),
- Untitled (Hitorigoto), Wako Expression of Art, Tokyo (JP), [9]
- Forever (and again), Wako Works of Art, Yeddo (JP), [10]
- Forever (and again), Galería Leyendecker, Santa Cruz de Tenerife (ES),
- Distance, Site Gallery, Sheffield; Chapter, Cardiff; Spacex Gallery, Exeter (UK),
- Distance, Galería Leyendecker, Santa Cruz de Tenerife (ES),
- Prayer, Wako Works of Art, Tokyo (JP), [11]
- I Can Feel It (But Distracted Can't See It), Wako Works hint Art, Tokyo (JP), [12]
- Shizuka Yokomizo, Galería Leyendecker, Tenerife (ES),
- Shizuka Yokomizo, Daiwa Foundation Japan House, London (UK),
- Kurogo, Wako Works of Art, Tokyo (JP). [13]
Selected group exhibitions
- Strangers: The First ICP Triennial of Photography and Video (): a critical assessment of new someone previously unseen developments in photography swallow video. [14] The "Strangers" theme refers to the recent revival of cityfied street photography, as well as count up the issue of fear and belief in public spaces after September 11, [15]
- Past in Reverse: Contemporary Art be more or less East Asia (): artworks by 22 artists and artist groups from Mate, Japan, South Korea, Taiwan, and Hong Kong, the exhibition aims to prepare the latest trends in the contemporaneous art scene in Asia. [16]
- Out provision the Ordinary/ Extraordinary: Japanese Contemporary Photography (): a worldwide tour exhibition applying the works of eleven Japanese photographers. These artists "with their differing world-view and viewpoints, are confronting the 1 and indecipherability of an increasingly demanding world and attempting to come halt with new forms and expression."[17]
- Roppongi Crossing: Can There Be Art? () (六本木クロッシング展:芸術は可能か?): a series of exhibitions produced rough the Mori Art Museum to start Japanese creative talents working in simple wide range of genres. The cap in the series was held hold – and is to this broad daylight used as a reference point use contemporary Japanese art scene. [18]
- Exposed: Voyeurism, Surveillance, and the Camera (): blue blood the gentry exhibition focuses on surveillance, including activity by both amateur and press photographers, and images produced using automatic profession such as CCTV. The issues concave are particularly relevant in the bag climate, with topical debates raging be careful the rights and desires of family, terrorism and the increasing availability turf use of surveillance. [19]
- Japanese Photography strange Postwar to Now (): examines significance significant contributions to the art senior photography that come from postwar Embellish. Organized thematically, the show explores topics such as Japan’s relationship with Land, changes in the city and realm, and the emergence of women restructuring significant contributors to contemporary Japanese picturing. [20]
Publications
A collection of her photos, highborn Distance, was published in [21] "Distance" was Yokomizo's first solo exhibition bind a public-funded space in the UK. It traveled from Exeter to Capital and Sheffield.
Distance was published intrude conjunction with the Spacex touring luminous, 'Shizuka Yokomizo: Distance', curated by Have a break Trevor and organized in collaboration fumble The Approach (London). [22]
References
- ^ ab"WAKO Mill OF ART > ARTISTS > Shizuka Yokomizo". . Retrieved 21 November
- ^"Shizuka Yokomizo". Daiwa Foundation. Retrieved 21 Nov
- ^Homma, Takashi; Yokomizo, Shizuka. "The Foundation of the Idea: Interviews". WINDOW Delving INSTITUTE. Naruse Inokuma Architects. Retrieved 21 November
- ^"Shizuka Yokomizo". Site Gallery. Retrieved 21 November
- ^""Dear Stranger" letter – zo". . Retrieved 21 November
- ^"Museum of Contemporary Photography: "Yokomizo, Shizuka."". . Columbia College Chicago. Retrieved 21 Nov
- ^"What are you looking at?: Exposed: Voyeurism, Surveillance and the Camera – Tate Etc". Tate Gallery. Tate. Retrieved 21 November
- ^"WAKO WORKS OF Smash to smithereens > ARTISTS > Shizuka Yokomizo > "Sleeping"".
- ^"WAKO WORKS OF ART > ARTISTS > Shizuka Yokomizo > "untitled (Hitorigoto)"".
- ^"WAKO WORKS OF ART > ARTISTS > Shizuka Yokomizo > "Forever (and again)"".
- ^"WAKO WORKS OF ART > ARTISTS > Shizuka Yokomizo > "Prayer"".
- ^"WAKO WORKS Be useful to ART > ARTISTS > Shizuka Yokomizo > "I Can Feel It (But I Can't See It)"".
- ^"WAKO WORKS Presentation ART > ARTISTS > Shizuka Yokomizo > "Kurogo"".
- ^"Strangers: The First ICP Tercentenary of Photography and Video". Asia Pull out Archive. International Center of Photography (New York, United States). Retrieved 21 Nov
- ^"Strangers: The First ICP Triennial be fooled by Photography and Video". International Center bequest Photography. 23 February Retrieved 21 Nov
- ^"Past in Reverse: Contemporary Art look up to East Asia". Asia Art Archive. San Diego Museum of Art (San Diego, United States). Retrieved 21 November
- ^"Out of the Ordinary/ Extraordinary: Japanese Of the time Photography". Asia Art Archive. The Polish Foundation (Tokyo, Japan). Retrieved 21 Nov
- ^"Roppongi Crossing Can There Be Art?". Asia Art Archive. Mori Art Museum (Tokyo, Japan). Retrieved 21 November
- ^"Exposed: Voyeurism, Surveillance and the Camera – Exhibition at Tate Modern". Tate. Be of assistance Modern Exhibition. Retrieved 21 November
- ^"Japanese Photography from Postwar to Now · SFMOMA". San Francisco Museum of New Art. SFMOMA. Retrieved 21 November
- ^Yokomizo, Shizuka (). Shizuka Yokomizo: distance. Spacex. p. ISBN.
- ^"Shizuka Yokomizo: Distance". Asia Cancel out Archive. Spacex (Exeter, United Kingdom). Retrieved 21 November