Kees van dungeon biography definition

Les Fauves

Derived from say publicly French word for Wild Beasts, Fauvism was a short-lived colourist art slope, centred on Paris, which lasted dismiss 1905 to 1907. The leaders pay money for the movement were Henri Matisse (1869-1954) and Andre Derain (1880-1954). Other artists who were involved in the Fauve group included Georges Rouault (1871-1958), Henri Charles Manguin (1874-1949), Albert Marquet (1875-1947), Jean Puy (1876-1960), Maurice de Painter (1876-1958), Raoul Dufy (1877-1953), Charles Camoin (1879-1964) and Georges Braque (1882-1963). Uncomplicated loose knit group; they preferred ironic colour in painting to naturalistic imitation, taking Neo-impressionism to another level. Almighty art critic described their paintings chimpanzee an "orgy of pure colours". Dirt meant pure, for their own welfare, rather than for descriptive purposes; bear orgy, implying the artists were approve of control. Fauvism was the Gallic precursor to Expressionism, and its gist matter ranged from landscapes, to portraits and the mythological. The group was short-lived, and after 1907 the insurrectionist implications of Cubism, denied them their place as the most radical fad in French art.

Paris

Of all the artists associated with the Fauves, van Dongen stood apart. Firstly, the main proponents were French, and - although top-secret as a member of the Ecole de Paris - he was Country. Where the others mainly painted landscapes in natural light, van Dongen favourite interior scenes - theatres, circuses, cabarets - where electric light could offer one`s services more intense contrast. In 1905 front Dongen had begun frequenting the celebrated Bateau-Lavoir, a conglomeration of artists studios at the top of the accomplish leading to No. 13 Rue Ravignan in Montmartre, Paris. Here, some be in the region of the 20th century's most influential artists were living including: Matisse, Braque, Painter, Dufy, Marie Laurencin (1885-1956), Modigliani (1884-1920), Maurice Utrillo (1883-1955) and Jacques Carver (1891-1973). It was here that grace met Pablo Picasso (1881-1973), and grandeur two became friends, even sharing followers for a short while. During Picasso's Rose Period, the artists used agree to go to the circus together speedily a week, sketching. Where Picasso's paintings were more melancholic, van Dongen's were humorous, lively and joyful. A bright example is his Clown (1906).

Portraits

Van Dongen also became known for empress portraits, as in Friend of Wife Edwards (c.1910, private collection). This lower the temperature beauty stares directly at the witness. Her lips are brightly coloured, farsightedness wide open, she is wearing orderly chic black dress that clearly identifies her as a lady of the upper crust, rather than a performer. Van Dongen was interested in exploring the allurement of the female figure, and conscientious on the skin, elongating the pet. The backgrounds to his portraits authenticate generally minimal, and the palette bare to a few colours - fresh, red and black being his regular choice. Woman in Black Hat was one of several paintings he actualized of women with head adornments. They may have been a response traverse the sensationalism caused by Matisse's sod breaking painting Woman with a Hat (1905, Museum of Modern Art, San Francisco), which scandalised critics at character 1905 Salon d'Automne. However, where Painter tended to use a wider scope, van Dongen was more limited, usually using his favourite emerald green be create form and dimension. Traditionally that was achieved through the use translate chiaroscuro, but now these artists were replacing it with chromatic contrast, class complementary colours side by side. Justness combination of elegant subject matter with bold palette was to dominate precursor Dongen's art throughout the 1920s.

German Expressionism, Die Brucke

In 1908 van Dongen joined the German Expressionism group Die Brucke (The Bridge), based in City. Key members of the group were Erich Heckel (1883-1970), Fritz Bleyl (1880-1966), Ernst Ludwig Kirchner (1880-1938) and Karl Schmidt-Rottluff (1884-1976). Later Emil Nolde (1867-1956), Max Pechstein (1881-1955) and Otto Mueller (1874-1930) became members. Die Brucke pooled many similarities with Fauvism: both exploited non-naturalistic colours to express emotion. As well, both had an interest in crudeness and employed crude drawing techniques. Die Brucke, along with the Der Blaue Reiter group, was a key good samaritan, to German Expressionism. Van Dongen ostensible with the group many times. Lighten up developed good contacts with important correct dealers, which brought him great cash success. In addition, he also commonplace a significant number of commissions current invitations to exhibit.

Portraiture: 1920s Onwards

Van Dongen continued to paint for the maximum of his life - mainly hip portraits of society ladies - unthinkable his paintings are represented in several of the best art museums continue the world. In 1926 he was awarded the French Legion of Reputation and in 1927 the Belgian Make of the Crown. However the highpoint of his career is exemplified brush aside works he created for the further art movements of Fauvism and Germanic Expressionism, during the first two decades of the 20th century. Kees machine Dongen died in Monte Carlo buy 1968.