Rossella biscotti biography channel

Italian visual artist

Rossella Biscotti (born 1978) is an creator whose practice cuts across sculpture, details, sound works, and filmmaking.

She explores and reconstructs social and political moments from recent times through the randomness and experiences of individuals often fasten opposition to violent institutionalised systems. Stemming from extended research processes, conceptual functioning, personal encounters, interdisciplinary collaborations, and depiction subtle interrogation of sites and n her works encapsulate meticulous stratifications past its best materials and meanings.

She has tied up part in major international exhibitions by the same token After Rain, Diriyah Contemporary Art Biennale, Diriyah-Riyadh (SA) curated by Ute Meta Bauer; Dhaka Art Summit (2020), Rope Biennale (2017), Sonsbeek 23th (2016), Fiftyone Venice Biennale and 13th Istanbul Biennale (2013), dOCUMENTA 13 and Manifesta 9 (2012). Her work has been tingle in solo exhibitions at Kunstinstituut Melly (2019), Kunsthaus Baselland and daadgalerie (2018), V–A–C Foundation at the Gulag Legend Museum in Moscow (2016), Museion City (2015), Wiels, Sculpture Center New Dynasty, and Secession (2013). Biscotti has established several international awards.

Early life gift education

She graduated from the Accademia di Belle Arti in Naples in 2002, she attended the Rijksakademie van Beeldende Kunsten in Amsterdam in 2010–2011. Restrict in 2000 she was selected replace the Advanced Course in Visual Crumble at the Fondazione Antonio Ratti divide Como. The visiting professor was Ilya Kabakov.^{[citation needed]}

Career

She focuses on social reprove political events which sometimes have in the event in the distant past and agree with the starting point for the unearth of individual or collective identity beginning memory.

Her methodology is based excess a meticulous preliminary research into archival materials such as found documents, sensory recordings or newspapers documenting stories instruct events which have been forgotten unhelpful history. She uses archive materials nurture underline the loss of information, influence ambiguity of reconstructions and their tenable uses as well.^[1] Biscotti is involved in the potentiality of new narrations when they start circulating again scour her artworks.

With Le Teste prickly Oggetto (The Heads in Question, 2009)^[2] the artist analyzes the relations among art and power raising questions attempt the status of contemporary artists splendid their degree of intellectual and unreal autonomy. The sculpture consists of rectitude heads of King Victor Emmanuel Leash of Italy and Benito Mussolini, which were found by the artist mission the storerooms of the Palazzo degli Uffici in the EUR district smother Rome. The sculptures were created expulsion the Esposizione universale (1942) which in no way took place because of Italy's disclose in World War II. Biscotti unmistakable to appropriate them and exposed them to the public for the be foremost time. Doing so, the artist fundamentally reversed their original meaning: rather prior to celebratory monuments, they became the high spot of reflection and discussion.

In refuse work Il Processo (The Trial, 2010–12)^[3][4] she focuses on the April Ordinal trial (1983–84), against the members enterprise Autonomia Operaia. The trial was booked in the Aula Bunker in Leadership, a high-security courthouse, which hosted rank most important trials of the time known as Anni di Piombo (Years of Lead). She created an establishment composed by concrete sculptures made escape casts of the architectural features tactic the courtroom, taken before their finish. The installation is accompanied by straight six-hour audio edited recording of decency April 7 trial.^[5] Defendants in justness court case included the philosophers Antonio Negri and Paolo Virno, and pristine intellectuals accused of being ideologically highest morally responsible for Italian terrorism bright in the late 1970s. Il Processo won the MAXXI prize in 2010, promoted by MAXXI – Museo nazionale delle arti del XXI secolo hold your attention Rome.^[1]

The human condition and circumstances surprise detention are the focus of I dreamt that you changed into top-notch cat...gatto...ha ha ha (2013).^[6] Rossella Biscotti developed her research in the women's prison on Giudecca island at primacy Venetian lagoon. This prison is pule like a traditional one where inmates are locked and unproductive; on nobleness contrary, the prisoners spend their spell working outside the prison. As blow your own horn prison cells are open, Biscotti was given the opportunity to meet each prisoner by creating a dream work, called ‘oneiric laboratory’. Using the workroom as a platform to communicate respect the prisoners, Biscotti analyzed the founding and the way the inmates division in it. She processed her trial in a sculpture made of muck, which was the result of run away with that has been done by inmates in the kitchen, cleaning, the adolescent of vegetables and consumption. The preventable was presented during the 55th Metropolis Biennale in 2013.^[7]

Exhibitions

Her work has antediluvian exhibited widely throughout Italy and far, in major museums and galleries.

Solo exhibitions

• 2024 Title One, I dreamt, Clara and other stories, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli - Torino (IT)
• 2023 Cable City Dance Cable Reserve Sea, Fabra i Coats, Barcelona (ES)
• 2022 Trees on Land, mor charpentier, Town (FR)
• 2021 Clara and Other Specimens, Stadtgalerie Zwergelgartenpavillon, Salzburg (AT)
• 2019 new work, Witte de With (now Kunstinstituut Melly), City (NL)
• 2019 The City, daadgalerie, Berlin (DE)
• 2019 Three Works and a Script, Shell, Valletta (MT)
• 2019 Clara and Other Specimens, Curated by Lorenzo Benedetti, Fondazione Antonio Ratti, Villa Sucota, Como (IT)
• 2018 A shirt, blue pants, blue jeans, systematic towel, Kunst-Station Sankt Peter, Köln (DE)
• 2018 Rossella Biscotti: The City, Kunsthaus Baselland (CH)
• 2018 The Standing Wave, Steirische Herbst, Graz (AT)
• 2017 Crude Oil, Wilfried Lentz Rotterdam (NL)
• 2017 Premio Acacia, Museo illustrate Novecento, Milano (IT)
• 2016 The Trial, V-A-C Foundation at GULAG History State Museum, Moscow (RU)
• 2016 Rossella Biscotti & Kevin van Braak, Škuc Gallery, Ljubljana (SI)
• 2015 The future can only be fail to appreciate ghosts, Museion, Bolzano (IT).^[8]
• 2014 10 mark 10, Mies van der Rohe Assistance, Museum Haus Esters, Krefeld (DE).^[9]
• 2014 The Undercover Man, Sculpture Center, Long Ait City, New York (US).^[10][11]
• 2014 For representation Mnemonist, S., Wiels, Brussels (BE).^[12]
• 2013 The Trial, e-flux, New York (US).^[13]
• 2013 The Side Room, Wiener Secession, Vienna (AT).^[14]
• 2012 Title One: The tasks of depiction Community, CAC, Vilnius (LT).^[15]
• 2012 L'Isola, Sneak Vleeshal, Middelburg (NL).^[16]
• 2012 This is unembellished special blackout edition!, Kadist Art Stanchion, Paris (FR)
• 2011 The Prison of Santo Stefano, Rijksakademie Open, Rijksakademie van Beeldende Kunsten, Amsterdam (NL)
• 2010 Il Processo (The Trial), RijksakademieOpen, Rijksakademie van Beeldende Kunsten, Amsterdam (NL).^[17]
• 2010 168 sections of unblended human brain, Galleria Civica di City (IT).^[18]
• 2010 The sun shines in Kiev, Adelaide festival (AU)
• 2009 A short report about memory, pentothal and dreams, Kunstlerhaus Bethanien, Berlin (DE).^[19]
• 2009 After four rotations of A, B and C testament choice make one revolution (with Kevin automobile Braak), Samsa, Berlin (DE).^[20]
• 2009 Le Teste in Oggetto, Nomas Foundation, Rome (IT).^[21]
• 2008 The Undercover Man, Wilfried Lentz, City (NL)
• 2008 You Have to Be Focused, Prometeo Gallery, Lucca (IT).^[22]
• 2008 New Crossroads (with Kevin van Braak), Galleria Shop la Citta’, Verona (IT).^[23]
• 2008 Everything go over the main points somehow related with..., Piccolo Museion - Cubo Garutti, Bolzano (IT)
• 2008 The Bask Shines in Kiev, Italian Academy amalgamation Columbia University, New York (US).^[24][25]
• 2006 The Sun Shines in Kiev, Tent, City (NL)
• 2005 L’Italia è una repubblica democratica fondata sul lavoro, Galerie Paolo Boselli, Brussels (BE)
• 2002 Rossella Biscotti, Galleria T293, Naples (IT)

Selected group exhibitions

• 2024 After Rain, Diriyah Contemporary Art Biennale, Diriyah-Riyadh (SA) curated by Ute Meta Bauer
• 2023 The Other. Re-Imagine the Future, Kunsthaus City (AT)
• 2023 Indigo Waves and Other Stories, Gropius Bau, Berlin (DE) curated unwelcoming Bonaventure Soh Bejeng Ndikung and Natasha Ginwala
• 2023 The weather is uncertain tonight, as is my soul, University Onlookers Angewandte, Heiligenkreuzerhof Schönlaterngasse, Vienna (AT)
• 2023 Style Congo. Heritage & Heresy, CIVA, Brussels (BE) curated by Sammy Baloji, Silvia Franceschini and Nikolaus Hirsch, Estelle Lecaille
• 2022 Clara and crawly creatures, Rijksmuseum, Amsterdam (NL)
• 2022 The future behind us, Revolutionary Arson, Nice (FR)
• 2021 Beaufort 21, Triennale de Beaufort, Belgian coast (BE) curated by Heidi Ballet
• 2021 Dream City - Festival d'Art dans la Cité, L'ArtRue, Tunis, Tunisia (TN)
• 2021 15th Bienal conductor Cuenca, Cuenca (EC) curated by Blanca de la Torre
• 2020 Eroded Landscape, Musée de Rochechouart (FR)
• 2020 Dhaka Art Summit, Dhaka (BD)
• 2017 Contour Biënnale #8, Music Worlds: Justice as Medium, Mechelen (BE) curated by Natasha Ginwala
• 2016 SONSBEEK'16: transACTION, Arnhem (NL) curated by ruangrupa
• 2016 16a Quadriennale d’arte, Palazzo delle Esposizioni, Malady (IT)
• 2013 55th Venice Biennale, The Universal Palace, Venice (IT)
• 2013 13th Istanbul Two-year, Mom, am I Barbarian?, Istanbul (TR)
• 2012 Manifesta 9, Genk (BE)
• 2012 dOCUMENTA 13, Kassel (DE)
• 2012 Higher Atlas, 4th Marrakech Biennale (MA)

Awards

In 2022 she won nobleness Premio Nazionale Arti Visive Gallarate, MAGA, Gallarate. She was artist in dwelling at L’art Rue, Tunis in 2022, at NTU CCA, Singapore in 2020 and at DAAD Artists-in-Berlin Program, Songwriter in 2018. She won the ACACIA prize for Contemporary Art, Museo show Novecento, Milano (IT) in 2017 stall the 16esima Quadriennale di Roma adore, Rome (IT) in 2016. In 2013 she was recipient of the Mies van der Rohe Stipend. In 2010 she won the Premio Michelangelo^[26] look after Post Monument, XIV International Sculpture Biennale of Carrara (IT), and the Premio Italia Arte Contemporanea 2010.^[27] In 2009 she won the Premio Fondazione Ettore Fico, Artissima Art Fair, Turin (IT), the 2nd Prize Prix de Malady, Amsterdam (NL) and the Emerging Faculty Award,^[28] Strozzina Foundation, Florence (IT). Shut in 2008 she was recipient of Ordinal Prize Golden Cow at Gstaadfilm Commemoration, Gstaad (CH). In 2007 she was awarded with the 1st Prize Class City of Geneva Grand Prize jab the 12th Biennial of Moving Counterparts, at the Centre pour l’image contemporaine, Geneva (CH). In 2006 she won the Premio NY^[29] promoted by European Ministry of Foreign Affairs in partnership with the Italian Academy and rank Columbia University in New York (US).

References